Lynn Ricci's Musings
What an Artist Hears - Dangerous Compliments and How it Inadvertantly Motivates Us February 10, 2017 12:57
First, this is a generalization because as we all know: people don't always fall neatly into one bucket or another. With that said, and as any type of artist will tell you . . . we are always our own worst critic.
Oh sure, there are people at the top of their game or those that have an overinflated view of themselves and their accomplishments that might not fit in the typical artist bucket. For the rest of us, we sometimes have an issue calling ourselves "professional" artists nevermind thinking we are actually good.
Many artists are not full-time. Many of us work for a living and have successful careers. (Yes, this goes against the "lazy" stereotype) I believe that special creative drive we have as artists to think outside of the box, take learnings from other places and apply in new ways, continually improve our creative work, and seek encouragement through the "great job" compliments is what also drives us in the business world. And the real entrepreneurial types display these qualities. In the venture capital world alone I've worked with and met VC's and tech founders who are also accomplished photographers, DJs, and musicians.
Musicians, Writers, Poets, Painters, Photographers . . . anyone who captures that creative juice and turns it into something that others can't do is an artist. We all suffer at some point from the same affliction of questioning how good we really are. Some do this our entire lives, and others until we reach a level that we might start admitting to ourselves that we are actually pleased with our work. Now don't get confused here and think that "pleased" is equal to admitting "greatness".
This is where the dangerous compliments set in and help motivate creative types to strive to be so much more. We work at our chosen artistic endeavors - sometimes in a vacuum - afraid to share what we've done because we fear it's not good enough. The inner drive of a creative mind makes an artist keep at it - and its that repeated failure and yes, practice, that makes us improve and move to a new level. Failure and repetitiveness can be a good thing . . .
Michael Jordan once said, “I’ve missed more than 9,000 shots in my career. I’ve lost almost 300 games. Twenty-six times, I’ve been trusted to take the game-winning shot and missed. I’ve failed over and over and over again in my life. And that is why I succeed.”
Through this failure and practice period, we produce more and more until we finally decide to share with others. Family, close friends - the ones we know won't laugh at us and are biased enough to give the encouragement we need. From there we branch out and share with more people and when you've been at it long enough you inevitably hear the dreaded words . . . "This is the best you've ever done" or "each painting is getting better and better" or "you've reached a whole new level". This should make you smile, feel proud and happy that you've achieved something big . . . but an artist hears: "Wow - how is anything you create now ever going to compare?"
I heard these compliments this weekend after completing a painting. (The one posted above) It was a different type of painting for me and I was feeling happy with the outcome. I posted on social media knowing my friends would like it (some for real and some just because they are my friends) and I would move on and pick my next scene to paint. I started hearing different comments, though -- things like "my favorite one so far" "Top 5" "You keep getting better" "best painting yet" and although I should have been thrilled, a part of me was intimidated and thought "Oh no, now what; whatever I paint next won't be as good!"
We are at odds with our own internal enemy. Compliments to an artist can either be intimidating or inspiring (click to tweet). Don't let the compliment get you stuck, afraid to accept failure by moving out of our comfort zone and experimenting with our craft. These are the artists that are afraid that maybe this is the best they can do and everyone will judge them on this one song, painting, or book for everything else they create. Or, we can let it motivate and inspire us - believe that what we created is really as good as others think it is and keep trying to improve by pushing ourselves.
I spent some time last night selecting a new subject to challenge myself. I like to think I am in the latter category that can get motivated to do even better. Like Michael Jordan's quote - we will have some misses and failures - but that is how we learn and improve!
How Does a New Artist Get Gallery Representation or Build Art Relationships? January 05, 2017 11:10
What Does a Girl Need to do to Get Noticed in the Art World? It's a question I ask myself a lot . . .Cape Cod Summer House ~ Painting of Your House to Take Home June 30, 2016 13:31
If you love Cape Cod as much as I do, maybe visit often, or even own a summer house, perhaps you would like to bring your Cape Cod house or Cape experience home with you?Unemployment Offers New Opportunities to Create March 15, 2016 16:56
I'm officially unemployed. It took me awhile to come to that conclusion since I seem busier than ever - but, "officially" I am unemployed. Which brings me to a little problem . . . I'm enjoying being unemployed.Preparing the Paintings for Paint Nights June 13, 2015 17:08
It seems like overnight different variations of paint nights have popped up all over -- and people are enjoying picking up a paintbrush and creating. After many friends asking over the years about painting, wondering if I could show them how, and starting to attend paint nights and raving about them I decided to start offering paint nights in my own home for friends -- hence the name Paint Pals.
Paint Pals has grown quickly and I am now receiving requests for private girl's night out parties, as well as requests to go other places like church groups, sales meetings for team building, and private parties in homes. It has taken on a life of its own in the last few months. But for any of you who do this, what I find as a challenge is creating the paintings that a non-painter can paint well in 2 hours time. A few nights stretched into a third hour as people struggled to complete the painting - never mind the finishing touches I might have added myself.
It has made me step back and really think about the teaching element when I am relying on nearly 35 years of ingrained painting experience, and finding the right level for a group of people with varying skill levels. I am reminded of my art teacher in school and I wonder if they ever got frustrated - teaching a class with different artistic skill levels and keeping the class moving at the right pace to keep the artistic kids challenged and the ones with no skills motivated. All teachers for that matter need to teach to the common denominator -- but in small at home classes, I find I can give individual attention that the big classes at restaurants and bars and storefronts can't give given their class sizes.
I've been creating paintings to build a Paint Pals calendar and I force myself to paint differently - modifying my style, number of colors, etc to offer paintings that people can complete and be happy with. I'd love to hear from other artists that get involved with teaching these types of classes -- what works and doesn't work! What subject matters are most wanted? How to keep students moving along? How to gear subject paintings skill level? In the meantime, I will continue to hone my skills as a teacher to hopefully deliver the best customer experience I can to those who sign up for my classes!
Spurts of Paint(ing) May 09, 2015 10:17
Columbus Park, North End, Boston Over the last 6 months I have concentrated more on my artwork. I am not sure where credit is due for this change . . . an unusually harsh winter here in the Boston area, a muse that made me want to be creative, or a high level of stress that called for therapeutic time and to pick up a brush . . . but whatever the reason(s) I am happy to be concentrating on my artwork again!
One of the differences with this current spurt of activity is that I've challenged myself -- not relying on subjects I've done before and know how to approach -- but instead finding more challenging compositions, different lighting situations with nighttime scenes, including people (which I've always avoided), and larger canvases that made me think more about detail. I believe I've grown as a realism artist during this period.
With social media, I've shared completed work to a great response that encouraged me to keep pushing myself. It was the cheering section I needed to instead of doing one painting and stopping - have others lined up and ideas brewing. From this interest, I decided to explore offering Giclee prints for those who were interested in buying a print, and built an ecommerce website on Shopify to market my work. I was thrilled as the first orders rolled in for paintings and notecards! As an artist, we always doubt our work, but this has been very uplifting.
So, what is a Giclee? Giclee (zhee-klay) is a French word meaning a spray or a spurt of liquid. Apropos since I paint in bursts or spurts! They are incredibly accurate prints made on-demand, on canvas with either a traditional stretcher bar or gallery wrapped and ready to hang, and in the size you want. Giclees may not replace an original oil painting, but it allows people to buy a painting they like, at a lower price point, and enjoy it hanging in their home. I had seen them offered a lot during my gallery browsing last summer and it's a nice way for artists to offer their work to a broader audience.
I'm off to finish a painting of Fenway Park . . . and it may just make its way to my Giclee offerings!
Chatham On My Mind May 28, 2014 08:30
Chatham Fish Market
I read a book once by Peter Mayle, A Year in Provence, and loved one line in the book that went something like: We saw the house in the afternoon, and by dinner we had mentally moved in. That feeling was something like when I went to Chatham for the first time. After my first afternoon, I knew this was where I wanted to summer, own a cottage, and it became in a blink of an eye my "happy place".
I just finished this larger canvas (24x36) of the Chatham Fish Market and was pleased with it. Now I just need a house in Chatham to hang it in! Actually, I may approach some galleries in Chatham this summer and see if I can get some of my work placed -- but that always seems so daunting as a few have turned me away before - or made comments such as, 'well, we like to show "local" artists'. Eventually, I tell myself, since I have already mentally moved there.
Use Your Gift as a Gift May 17, 2014 08:17
A dear old friend did something incredibly nice for me. They wouldn't let me help pay, waving their hand to shoo away the idea like a bothersome fly. "I am happy to do this, I don't need the money", my friend said in their very generous way. And so it was done. But was it? I didn't feel so, especially when they followed up with another generous offer of tickets for my two boys and me for a sporting event - and we Bostonians love our sports. Great seats, great time. Now I really wondered how could I pay this friend back when they are so generous to me but won't take money? Give them a gift back! An offer they couldn't refuse. . . a painting.
I am sure all of us that dabble, or do mare than dabble, in some form of art have given pieces of your work away as gifts from time to time. The joy is so much greater to see the recipients face light up and know how you have given a one-of-a-kind expression of your friendship or appreciation. We also, more often then we let on as artists, have doubts up to the point of unwrapping if the work is really good enough. No matter what the level you are at, its the gesture - the time spent thinking, planning, creating - that goes into the piece that is what gets appreciated. That person knows you thought of them the whole time and it wasn't a quick run to the mall to buy something, you made it.
I am including a picture of the painting here. It was from a special photo they had taken and I hope that my friend has a chance to hang it, enjoy it, and know how much I treasure their friendship when they look at it.
So, think about sharing your gift as a gift more often! And if your talent isn't painting, pottery, sketching, jewelry-making, or photography but something like gardening or baking -- do that! Make up beautiful pots of mixed flowers that can be enjoyed or their favorite cake or pie. Better yet - don't wait to use it for a thank you or birthday gift - just do it to be thoughtful. It's an old-fashioned gesture that is missed!
Take a Step Back to Go Forward December 07, 2013 10:26
I take breaks from painting - not by choice, but due to life. I work, have a family, am a single parent, and I have other commitments and things I am involved with. There are weekends that start off where I look at my canvas, excited to get started and I think, I will just get the laundry started and then get started, or I should go shopping first and start this afternoon, or the phone rings and company is on the way . . . and before I know it its Sunday night. Life. [caption id="" align="alignleft" width="360"]

Lastly, even if you paint as just a hobby - or never painted at all - I would suggest trying one of these Paint Nites as an entertaining night of exploration. All 32 of the women (and one man) at Chatham Bars Inn the other night let their inner artist out, had fun, and went home with a new creation. And isn't that what life is really about - having fun, being creative, enjoying friends and continually learning and pushing yourself to try new things?
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Drawing Skills Are Fundamental September 06, 2013 13:32 1 Comment
"Every child is an artist. The problem is how to remain an artist once we grow up." - Pablo PicassoWhen I was a child, I liked to draw. I would copy anything that I saw: pictures on a lunchbox, a scene in a magazine, animated characters from comic books or MAD Magazine. As I got a little older, I would get up very early on Saturday mornings and draw along with Captain Bob (You need to be from the Boston area and of a certain age to remember Captain Bob). My teachers were never happy with my "doodling" in class but I just couldn't help myself.

The Need to Paint August 22, 2013 07:47
I awoke this morning, very early, due to a rabbit in the yard. How could a quiet rabbit wake someone? Anyone with a young, active dog and a glass door in their bedroom can tell you it's possible. Fenway, our springer spaniel, began a low growl which woke me just in time to see the object of his attention and before the barks erupted that sent ole Peter Rabbit scurrying to and fro. It was 4:45AM. So, instead of my last hour of sleep, I was able to watch the sun come up, the sky change colors, the light stream through the trees changing the leaves to a bright sap green and the play of shadows and light across my yard and flower beds. What artist would really like to get up and go to work when they know they have a big blank canvas sitting in the corner waiting to be painted? Artists get a bad wrap sometimes. They have been characterized as a generally flaky, off the wall, lazy, self absorbed and crazy bunch of people. Well, some can be - but that is true of anyone, not just artists. What people don't always see or understand, is the inner drive to create. The power of that first flicker of inspiration as it takes hold and becomes a flame. The need to make something - whether a painting, drawing, writing, sculpture, photograph, or whatever your craft - with your own two hands and mind and be able to sit back and smile, thinking "I made that". I'm going to finish my coffee and go to work. It's going to be tough, but we artists can be responsible, too. And, there is always later tonight.Capture What Inspires You August 11, 2013 17:44
"I dream a lot. I do more painting when I'm not painting. It's in the subconscious." -- Andrew Wyeth
As I have mentioned, I work. Yes, in an office. Full time. Not the most glamorous or creative

This post originally appeared in my local paper.
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